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WINTER Wear: An avocet wades in the Bear River to look for a tasty snack. The bird's black-and-white winter plumage heralds the onset of cold weather. / Photo by Mike Sweeney

Today's word on journalism

Friday, November 11, 2005

On journalists during wartime (for Veterans Day):

"[I]n the news media that covered the war both overseas and domestically, journalists also were willing to cooperate and do their
part. The public did not see journalists (and journalists did not see themselves) as being against the team. Journalists were part of the team. Some, such as roving correspondent Ernie Pyle, repeatedly visited combat zones even though they did not have to do so, and they paid with their lives."

--Michael S. Sweeney, press historian, 2001 (from "Secrets of Victory," about censorship during WWII)

 

Where was the 'Dancing' at Lughnasa?

By Sarah Ali

October 1, 2005 | After battling the herd of creative arts students blocking the doors of the Morgan Theatre, I found my seat and sat in anticipation for the performance of Dancing at Lughnasa.

Being the music and dance fan that I am, I was excited for the performance, because I assumed from the title of the play that there would definitely be dancing and music. I flipped through the program to familiarize myself with the setting of the play: "The time is August 1936 during the harvest festival of Lughnasa in celebration of Lugh, the Celtic god of music and light. The story revolves around five unmarried sisters and Michael, all Catholic, who live a homespun life."

No specific mention of dancing, but the performance had not yet begun. As I looked at the set on stage, I noticed that there was only a small area to the front that could possible have enough room for a full-out choreographed dance. A huge ramp and a tilted house, hardly an ideal location for dancing, occupied the rest of the stage.

I began to think that maybe there was not as much dancing in Dancing at Lughnasa, as I had expected. My premonition turned out to be correct. There was as about as much dancing in the whole performance, as you would witness in an elevator. The music only played at random moments in the play and the dancing came sporadically at odd moments.

As I watched the play, disappointed in the limited amount of dance, I tried to understand the theme and plot of the story, hoping that through it I could rationalize why it was called Dancing at Lughnasa. My conclusion was the act of dancing represented the breakdown of order and inevitability of change. As each sister struggled with her individual problem, the stability of the whole house began to weaken. The desire for order and the desire for excitement, were at opposing points. The family found itself struggling to find a place for their firm beliefs in Christianity in their lives that were surrounded by the practices of paganism.

When the performance was over I once again had to hurry through the doors to avoid the student blockage again. When though the performance was not what I expected, it was enjoyable. The actors each played their parts well and the characters were humorous in spite of the depressing overtone of the play.

MS
MS

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