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'Statesman' movie critic won't settle for the shallow
review
By Ann Passey
June 27, 2005 | Creativity flows through his veins.
From dancing to eating, every activity in his day is
done with a creative perspective in mind.
Casey T. Allen. One colleague guessed the T stood
for theater, since drama is a part of Allen's everyday
life.
Allen reviews movies for the Utah Statesman,
a position he has held since early January, a position
he says he loves.
"As a child my siblings were all much older than I
was, so I spent much of my childhood alone," said Allen.
"I was left to entertain myself in very creative ways."
Through watching his three older siblings as a child,
he began to appreciate many different creative outlets.
His older brother and sister were involved in theater,
and he too became involved in stage productions.
Allen began participating in theatrics in high school.
Musicals quickly became his favorite.
"For a drama you don't need to know how to do anything
but recite your lines and learn where to go on stage,"
said Allen. "In a musical you also have to master singing
and dancing, as well as memorizing your lines."
It was a wonderful outlet for a tenor voice that he
began to develop at a very young age by singing to his
grandmother.
For his entire life, Allen's grandmother lived just
down the street from him.
"Since I was so much younger than my siblings
I would ride my bike down to her house and visit her,"
said Allen. "One of my favorite activities was
to sing for her. She was hard of hearing and encouraged
me sing very loudly and I've just never stopped.
"I also spent a great deal of time as a child watching
movies since it was an activity I could do alone," said
Allen. "Movies became a wonderful creative outlet."
Allen doesn't just watch movies, he analyzes them.
A discussion of the movie follows every film he watches.
"I like to watch movies and discuss the messages they
give us," said Allen. "It seems very unfulfilling to
just watch a movie and then do nothing afterward.
"To talk about a film after watching it gives it a
lot of validation, and a lot of closure," said Allen.
"It provides a lot more understanding and appreciation
for what you've watched."
Often times when you ask someone how a movie was,
they will simply answer that is was good or bad.
"Good," said Allen, "is an insufficient answer. No
professor would allow that as a valid answer for that
kind of question.
Instead, Allen said, they should give an opinion of
the movie and some information about the movie, and
most importantly, how it made them feel. For instance,
Allen watches a lot of movies and although he doesn't
like them all he has very concrete reasons for not liking
them.
Westerns are his least favorite.
"The real values in that genre are why I don't really
get it," he said. "The quintessential cowboy expresses
values of life that I have so much difficulty accepting
or understanding. They have a casual attitude about
the future and work. They seem to be really good at
reveling in the spontaneous things. It's risky, and
it allows for a greater possibility for danger."
In short, he said, cowboys are not the kind of people
that would carry planners.
He also struggles with westerns because of the time
period most of them take place in.
"We're influenced to appreciate more modern and contemporary
films," said Allen. "Films that move at a faster pace
and don't require you to think a lot, but just show
a lot of fun. Fun ways to be violent, fun ways to be
sexy, instead of giving us real ideas about how to live
our lives, or ideas about how to love other people."
Allen's favorite film is Moulin Rouge.
"It displays so many things throughout the movie in
such an original way," he said. "You look at characters,
dances, scenes and songs in such unorthodox ways. The
director gives a perspective that is just so out of
this world."
Allen doesn't care if moviegoers like or dislike the
films they see, but ultimately he believes that going
to see the movie is only half the experience. The other
half comes from thinking about what you have just seen
and felt.
Writing movies for The Statesman has given
Allen a chance to expand his writing style from the
typical writing he does. He is an English major with
an emphasis in professional and technical writing, and
reviewing movies provides a little variation from the
day to day writing he is expected to do.
"You don't think of a lot of ways to be creative in
technical writing," said Allen. "You have to think of
ways to be understood, which can be very challenging
sometimes."
Allen, in his opinion, doesn't fit the stereotype
of the typical technical writer.
"Really, it's a bore alert," said Allen. "Most of
these people are the kinds of people who will stay in
the computer lab as long as they can on a Friday night
until the lab employee makes them leave."
Allen is not one of these people.
"I'm a little different. I'm original. I behave dramatically.
I have a lot of facial expressions, and when I'm speaking
to other people I use a lot of expression when I speak."
Close friend, Emma Mecham, couldn't agree more.
"When Casey talks to you it's as if the conversation
he is having with you is the most important conversation
of his life," said Mecham. "He has a lot of different
facial expressions; typically there is a lot of gasping.
When Casey speaks to you he commands your full attention,
and gives it in return.
"A conversation with Casey is like no other conversation
you will ever have," said Mecham. "He will almost always
maintain body contact, and he has a new facial expression
every five seconds. It's not uncommon to receive two
hugs in the duration of a five minute conversation."
Mecham also says that watching a movie with Allen
is unlike any other movie experience you will ever have.
"While watching a movie with Casey, he makes
you think about the movie from all different angles.
He really causes you to internalize the film. Watching
a movie with Casey is unlike any other experience I
have ever had."
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