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Friday, September 9, 2005


Scene: Calvin and Hobbes are reading the newspaper.

Calvin: "I like following the news! News organizations know I won't sit still for any serious discussion of complex and boring issues. They give me what I want: Antics. Emotional confrontation. Sound bites. Scandal. Sob stories and popularity polls all packaged as a soap opera and horse race! It's very entertaining."

Hobbes: "Then commentators wonder why the public is cynical about politics."

Calvin: "You can tell this is an in-depth story because it's got an article next to a chart."

--Calvin & Hobbes by cartoonist Bill Watterson, 2005

 

New 'Batman' finds strength in the fear factor

By Jeremy Wilkins

June 24, 2005 | What is your greatest fear? What is it deep-down, within you, that scares you most, that physically, emotionally and mentally paralyzes you?

Did you find it? Oh, there it is. Now, EMBRACE IT!

This immense fear is what guides the new spinoff of the ever-so-popular Dark Knight. And, boy, did director and co-author of Batman Begins, Christopher Nolan, embrace the concept of fear to give his audience a movie with feeling and dark excitement.

Nolan (Memento, Insomnia), takes us somewhere we have never seen The Caped Crusader go in cinematic form: to his tycoon youth and into his troubled, confused and angry young adult years, showing us the evolution of young Master Wayne to Bruce Wayne to the dark and mysterious hero we know as Batman.

By going backward and seeing Wayne's youth we learn how he developed a deep-rooted fear of bats and see how he witnessed the murder of his parents (which is strikingly similar to the first Batman movie portrayal of it, yet with more depth), spawning his undying hatred for injustice. This Batman, played by a convincing Christian Bale (American Psycho), seems to show more emotion than prior efforts have proved able to do. However it's no wonder Bale is able to be at his best considering he is surrounded by an amazing cast including the likes of Michael Caine, Liam Neeson, Morgan Freeman, Gary Oldman and Katie Holmes.

Jumping out of the cartoonish nightmare that Joel Schumacher dived head-first into, and into a rougher, more "realistic" take on the superhero whom DC Comics made popular, is the best thing Nolan and co-author David S.Goyer could have done.

Those who go into the movie expecting to see hero and villain action from start to finish will be shocked, but not at all disappointed. This fresh beginning allows the viewer to see the complete creation and evolution of Wayne's character and his alter-ego Batman, which by no means takes anything away from actual "Batman time," but adds to the purpose and meaning behind it.

Once Wayne is able to embrace his greatest fear (bats!) we are informed enough and are able to understand how the bat-man came to be and why he is such a powerful force for good and fighting the injustices of his trodden-down Gotham City. Bale, Nolan and the rest of the cast and creators of the film should give themselves a pat on the back for bringing Batman out of obscurity and helping the Dark Knight re-emerge.

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