HNC Home Page
News Business Arts & Life Sports Opinion Calendar Archive About Us
A NEW MESSAGE: An Iraqi man with a spray-paint can turns Arabic graffiti into smiley faces shortly before the Iraqi elections. Click for an Aggie's perspective from Baghdad. / Photo by David J. Jenkins
Today's word on
journalism

Monday, January 31, 2005

When words go to war:

"Words go to war as surely as soldiers do. They can be used to inspire troops, strike fear into the heart of the enemy or persuade neutral parties. . . . The careful selection of words in war is almost always a calculated attempt to manipulate perceptions. Whether an act of violence is called a 'suicide bombing' or a homicide bombing' depends more on the politics of the speaker than on any sincere attempt to describe objective reality. Even when the language of war is mechanical or colorless it may be deliberate, an attempt to shield both civilians and soldiers from the horrors of modern conflict."

--Michael Keane, author and educator, 2005 (Thanks to alert WORDster Brad Knickerbocker)

Post office murals gave moral lessons during Depression, author says

By Loni Stapley

"Post office murals are more than pretty pictures."

Philip Parisi, managing editor of Technical Communication Quarterly and an instructor in the English department at Utah State University, spoke Tuesday afternoon in the Eccles Conference Center to a small audience, centering on the theme of heroes in Texas post office murals.

Parisi recently had a book published by the Texas A & M University Press titled Texas Post Office Murals: Art for the People, which he began writing while on the staff of the Texas Historical Commission.

"I wanted to share my fascination with [the murals]," Parisi said of why he wrote the book.

Parisi explained that the murals were created for post offices built during the Great Depression as a way to create jobs for artists. As a part of the New Deal program, the idea was to create artwork with themes of success to give people hope during troubled times.

"Post offices were traditionally the center of social life in small communities," Parisi said.

As people waited in line, they could study the murals and hopefully find artwork that they related to.

Ninety-seven murals were created for 69 post offices and federal buildings around Texas during this time.

These murals fell into many categories and themes, but mostly revolved around the idea of the hero, including Texas rangers, cowboys and Native Americans. Themes of hard work, prosperity, family values and the quest for success were hoped to bring faith to people during hard times.

Parisi noted several famous individuals and historical events depicted in the murals, including Davy Crockett, the Alamo and Gen. Sam Houston.

The murals were usually about 15 feet up on the walls in the post offices, which occasionally led to some confusion by onlookers regarding the theme of the artworks. Parisi cited one example where an elderly couple interpreted a mural featuring a soldier getting his ankle wrapped by a surgeon while a crowd of people looked on as a group of men playing craps.

"You can't always assume that people would immediately understand the subject of the murals," Parisi said.
Mostly, the murals were meant to send reassuring messages to people, which often meant leaving out the bloodshed and acts of violence normally associated with heroes. For example, one mural depicted Texas rangers sitting around a campfire, singing and playing guitars -- a far cry from their usual duties of rounding up the bad guys.

"But hey, even heroes need some down time," Parisi said.

Parisi noted that the New Deal heroes depicted in the artwork were initiators of peace and those striving for prosperity -- essentially the everyday American.

"The heroes in post office murals come from real life and the lives of people: workers, settlers, lawmen and bandits who embody the archetypal qualities of a hero," he said. "As we know, the real heroes are the people themselves, their inner lives and resources that we can summon up in times of great pain."

Parisi has brought awareness to the Texas post office murals in the hope that they will be preserved.

Several have been lost due to reconstruction and renovation of the buildings they were originally created for or are crumbling and neglected in warehouses.

"Ultimately, the purpose of the book is to call attention to the murals as an artifact and remarkable cultural and historical moment," he said.

MS
MS

Copyright 1997-2004 Utah State University Department of Journalism & Communication, Logan UT 84322, (435) 797-1000
Best viewed 800 x 600.